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	<title>Patricia Wild &#187; Irish-American</title>
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	<description>Author of Way Opens: A Spiritual Journey</description>
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		<title>June 8, 2009: On Flannery O&#8217;Connor and Race</title>
		<link>http://www.patriciawild.net/2009/06/june-8-2009-on-flannery-oconnor-and-race/</link>
		<comments>http://www.patriciawild.net/2009/06/june-8-2009-on-flannery-oconnor-and-race/#comments</comments>
		<pubDate>Tue, 09 Jun 2009 00:37:04 +0000</pubDate>
		<dc:creator>Patricia</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Catholicism]]></category>
		<category><![CDATA[Flannery O'Connor]]></category>
		<category><![CDATA[Irish-American]]></category>
		<category><![CDATA[race]]></category>

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		<description><![CDATA[Having recently taken a workshop on unlikable characters (Takeaway: Don&#8217;t get hung up on some readers&#8217; need for sympathetic characters when writing fiction.), I have both created a main character who steals from her generous landlady/employer and reread Flannery O&#8217;Connor. Talk about unlikable characters!
O&#8217;Connor was Southern—as is my sticky-fingered protagonist—and self-identified as a Catholic writer, two more [...]]]></description>
			<content:encoded><![CDATA[<p>Having recently taken a workshop on unlikable characters (Takeaway: Don&#8217;t get hung up on some readers&#8217; need for sympathetic characters<em style="font-style: italic;"> </em>when writing fiction.), I have both created a main character who steals from her generous landlady/employer <em style="font-style: italic;">and</em> reread Flannery O&#8217;Connor. Talk about unlikable characters!</p>
<p>O&#8217;Connor was Southern—as is my sticky-fingered protagonist—and self-identified as a Catholic writer, two more reasons why this Quaker fiction writer decided to read her again.</p>
<p>But, oh my: Much as I had yearned to learn from O&#8217;Connor&#8217;s art, her treatment of her black characters appalled me. Hoping I&#8217;d find something more, dare I say <em style="font-style: italic;">enlightened, </em>I read her letters, too. Which, sad to say, made her worse in my eyes. Example: In one letter, she tells a story and uses &#8220;colored people.&#8221; In another letter, to a different friend, she tells the same story but says &#8220;niggers.&#8221; So don&#8217;t tell me she was a product of her time and place. She knew better.</p>
<p>Tons of writers have written about O&#8217;Connor and race (Check out Links for an excellent but looong piece.) I want to add my two cents:</p>
<p>My personal theory re why this severely ill (lupus), Southern, white, female, Catholic writer living during the civil rights movement (1925-1964) was so drawn to the grotesque, so convinced that the South was &#8220;Christ-haunted&#8221; and so clueless that it was, in fact, <em style="font-style: italic;">slavery-haunted,</em> is that she was absolutely all of those defining words AND Irish-American.</p>
<p>My hero James Carroll wrote a wonderful piece in the <em style="font-style: italic;">Boston Globe </em>today re Irish Catholics in light of the recent abuse scandal in Ireland. His point was that to the Irish Catholics, oppressed by the British and decimated by famine, &#8220;the Catholic Church had such a grip on the Irish psyche, if not soul. . . &#8221;</p>
<p>No wonder her stories are so fiercely concerned with redemption! And Original Sin. No wonder she believed that &#8220;the Catholic writer, in so far as he [sic] has the mind of the Church, will feel life from the standpoint of the central Christian mystery: that is, for all its horror, been found by God to be worth dying for.&#8221; No &#8220;cafeteria-style Catholicism&#8221; for our Flannery, no sirree. She puts ALL of it on her tray. Add all that painful Irish history/baggage to her Irish-American, day-to-day struggle to be Catholic in small-town, Bible Belt Georgia and, maybe, just maybe, you&#8217;ve got yourself someone so caught up in her own spiritual identity and survival, she was absolutely blind to the horror of racism.</p>
<p>Maybe.</p>
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